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Art Journal Every Day: Nathalie's Urban Inspiration

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Today we've got a guest post from French Art Journaler and doctor-in-training, Nathalie Nayer.

This is me.

With my precious Margot.

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I have a love affair with paper.

I’ve kept a diary for most of my life.

At first, it was that friendship diary I received for my sixth brithday that my girlfriends filled with stickers, poems, drawings and tattoos from bubble gum wrappings.

I started to keep a real intimate diary when I was 12 years old. It was a girly pinky one (with a heart shaped lock). I glued pictures of cats and everything I could found about Michael Jackson or Robbie Williams. I wrote quotes, names of boys I liked, important dates (first period, first kiss, first sex experience).

I grew up but the content stayed basically the same. I glued fashion ads and pictures of Charlize Theron. I drawed outfits and invented new shapes of perfume bottles. I recorded important dates (first trip on my own, first car, first job).

About ten years ago, my journals became more visual, right after I read my two absolutely favorite books: The Decorated Page and The Decorated Journal from Gwen Diehn.

That’s when I started to use gesso and paint and inks in my journals.
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I have this great job. Right now, I’m in this gastroenterology training fellowship program for three years. Then, I’ll finally be an attending physician.

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I keep a visual journal to stay in the moment. Even if it is to savor a red light or a wind turbine. Red light and wind turbines are strong. They don’t suffer, don’t need a diagnosis or painkillers. They don’t cry. They don’t die.

Sketching them keeps me sane.

Let me show you how I prepare my pages lately....

Here, I use the sketchbook I ordered to participate in The Sketchbook Project.

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First, I glue something with words (it can be a vintage book page, a sheet of music, an article in your latest issue of The Economist):

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Then, I apply some masking fuid with a skewer at random:

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After the masking fluid has completely dried, I cover the page with paint. Here, I use white gesso and some black ink:

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This is what the page looks like when the paint has dried:

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That’s when I reveal the text under the dried masking fluid by gently rubbing it away:

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Here, I’ve added some white gesso because I wanted something less dark:

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With my favortie permanent markers, I draw something. Anything.

Usually, I dig out a picture from my urban collection of photographs.

I love the feeling of metal, wood, stone and rust.

I like strong straight lines.

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Touches of white and orange added:

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On the opposite page, I apply gel medium...

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…to glue in a picture I printed on tissue paper.

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Et voilà !

Like my urban style ?

If you want to see more, visit my flickr stream.

If you want to visit my blog, it’s here.

Now, go get your sketchbook and draw your own crane!

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